| A SAMPLE of JOE BLASCO BEAUTY MAKE-UP TECHNIQUE |
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| LEADING THE FINE ART OF MAKE-UP INTO THE NEXT MILLENNIUM™ |
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Model
before make-up
Base Selection:
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fter
skin care, make-up begins with the foundation. To choose the proper
foundation you must determine the undertone and value of the model’s
skin. Undertone is the intrinsic color found within the skin. Value
is the lightness or darkness of the skin. Joe Blasco Bases are designed
to realistically match the undertone by being divided into two categories,
Olive and Ruddy. Within each category there are several series of
colors (from light to dark) with varying degrees of yellow-green (Olive)
or red (Ruddy). |
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Base Application:
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n
this particular Make-up, the model, as the majority of all people,
has an olive undertone. Three Joe
Blasco Olive Base Series were spot tested on the model’s skin
to determine which had the closest undertone match, Special
Olive, Olive Beige and Warm Olive. These three series have
increasing amounts of olive; Special
Olive having the least and Warm
Olive having the most. Special
Lite Olive #2 was tested on the skin and appeared to be slightly
pink, indicating there was not enough richness of olive in the base
to match the skin. Warm Olive #2 was tested and was found to be slightly yellow, indicating too much
olive. Olive Beige #2 was
tested and was found to match the model’s undertone and shade(value)
exactly.
All
Joe Blasco Cosmetics are highly pigmented. Joe
Blasco Ultra Bases contain 55% pigment. This high concentration
of pigment allows you to use a small amount of product and achieve
a thin application with maximum coverage. Using a Joe
Blasco microporous™ sponge, make-upwas taken from the container,
then gently applied to the face in a light spreading/patting motion,
applying a small amount as if it were a skin stain. On areas that
required more coverage, the patting technique was used to deposit
a greater concentration of pigment. |
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Contouring:
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oe
Blasco Lightskin Shading contains the gray-brown which appears
in naturally occurring shadows. Lightskin Shading was applied under the cheekbone to define
and enhance the cheekbone by creating a shadow beneath it. To thin
and define the nose, shading was placed from the beginning of the
eyebrow along the upper sides of the nose and around the nose tip.
After application ofthe shading color, the sponge was used to blend
and soften the application.
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Highlighting:
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dditional
defining and correction were accomplished by the use of Joe
Blasco Special Yellow Highlight mixed with a small amount of Olive Beige #2. The mixing
of the Base with the Highlighter creates a custom highlighting color
that is base-one related. The highlighter was used on the cheekbone,
bridge of the nose, and other areas (such as above the eyebrow and
nasolabial fold) where natural shadows caused by shallow facial depressions
and folds interfere with the smooth, youthful, continuity of the face.
After the application, the highlights were blended with the sponge,
and the excess was removed using the back of the sponge. Joe
Blasco Orange Highlight 1 was chosen for use under the eyes
to raise the depression and neutralize the blueness. It was blended
and softened with the sponge. |
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Powdering:
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oe
Blasco No-Color Powder, which contains no pigment (making it
colorless), was applied with a powder puff to set the highlights without
changing the color and intensity of those highlights. Then Joe
Blasco Light Powder was applied to other areas of the face
to set the make-upand create a matte finish.
At
this point the foundation is complete and is ready for the decorative
and accent aspects of the make-up, such as Brow-Color™ eye shadow, blush color and lip color. However, before continuing, Joe Blasco Light Finish Powder was lightly dusted over the entire face with a powder brush. |
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Blush:
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oe
Blasco Georgia Peach Dry Blush was applied to the top of the
cheekbone as a highlight accent. On the underside of the cheekbone, Joe Blasco Midnight Copper Dry Blush was used to shadow and add color to the cheeks. |
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Brow-Color™:
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ell-shaped
eyebrows will frame and draw focus to your eyes. The model’s eyebrows
have been tweezed in the classic style as taught at the Joe
Blasco Make-upCenter. Balancing and filling in the eyebrows
were accomplished by drawing individual hairs using, “Eddie Leonard” Ultamatte with the Ultamatte
Brush. The eyebrows are now in balance with the model’s eyes
and complement the face as a whole. |
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Eyeshadow:
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oe
Blasco Eyeshadow may be applied wet or dry. A wet application
provides more control, accuracy in placement, and intensity. The Joe
Blasco wet-applied method is resistant to wear and lasts much
longer, requiring very little touch-up.
The
Eyeshadow chosen for this model was Joe
Blasco Warm Brown. The Eyeshadow was blended with a damp brush,
which provided a soft and subtle look.
Joe
Blasco Eyeshadow in the color, "Cream" was used as a highlight
below the arch of the eyebrow and on the eyelid, and blended with
a damp brush. |
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Eyeliner:
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oe
Blasco Eddie Leonard Ultamatte was applied with a dry Ultamatte
Brush on the upper eyelid, from the tear duct to the outer corner
of the eye, then to the center of the bottom lash line. The edge of
the liner was then softened with the brush. Black Ultamatte was used
around the outside eye corner and within the area already colored
with the Eddie Leonard. The bottom lash line (drop shadow) is applied
softly from the center of the lower lashes to the outer corner of
the eye. The black adds a little more depth and sharpness to the eye
design.
Joe
Blasco Ultamatte Products are waterproof, highly pigmented,
and are best applied with a Joe Blasco
Ultamatte Brush (a small, wedge-shaped brush). This unique Micro-Wedge™ brush provides
much greater accuracy, from a very thin, sharp and crisp line to a
soft, blended, smoky look. The Ultamatte Eye Colors will not smudge
or flake over a long day’s wear.
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Mascara:
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he
final touch to the eyes was created by the application of Joe Blasco Mascara. Mascara was applied to the eyelashes with
the Joe Blasco Mascara Wand,
while also combing and separating |
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Lip Pencil, Lip Color &
Lip Gloss:
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oe
Blasco Earth Lip Pencil was used
to line and alter the shape of the lips. Joe
Blasco Mocha Lip Color filled in
the lips and Joe Blasco Golden
Glaze Lip Gloss was blended on both
sides of the Cupid’s Bow and in the center of the lower lip to give
the illusion of larger, rounded lips.
Model
after Make-up.
Joe Blasco Cosmetics go on smoothly and easily, providing professional,
long-lasting results. You’ll want the Make-up to be very natural and
flattering. To do this, determine your skin’s value (shade: light,
medium, dark) and undertone (olive or ruddy), then select a base that
will be both complementary and corrective.
Remember,
because Joe Blasco cream products contain 55% pigment, they must always
be applied very thinly. (Never apply Joe Blasco products so that they
appear heavy). Carefully observe the results of each touch of the
product to the skin. If you have applied too much, blend the product
thin to achieve a natural and undetectable finish. You do not need
to use as much Joe Blasco as you would if using another brand. Always
blend your application of Ultra-Base™ to appear ultra-thin!.
Because
of the high percentage of pigment, Joe Blasco bases and other cream
products can be applied with either a dry or a wet foam latex sponge,
or fingertips! |
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| TEACHING THE WORLD THE FINE ART OF MAKE-UP |
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