Day: (M–F
/ 9:00 a.m.–4:00 p.m. / 11 weeks) 330 hours
 The
following outline describes the Professional Make-up Artistry Program
and its components. Beauty, Old Age, Bald Cap, Hairwork, Character,
Monster, and Prosthetics may also be taken individually (see “Entrance
Requirements and Enrollment”). All phases together constitute
the Professional Make-up Artistry Program.
I. Beauty Make-up Female
and male corrective Make-up for all media
• Beauty Make-up for motion picture, television, still photography,
and theatrical (stage)
• Beauty Make-up for salon application (not for state license)
• Classic Beauty Make-up (clean beauty)
• Classic Glamour Make-up
• Natural High Fashion Make-up and Fantasy Beauty Make-up
Beauty Make-up is broken down as follows: base selection and application,
shading application, highlight application, moist or oil base cheek
and color glow application, powder application, dry cheek color and
color glow area application plus powder mute, iridescent powder punch,
eye color or upper lid line shading application, upper lid liner or
shading accentuation, actual upper lid highlight application and under-arch
highlight application, lower lid line application, eyebrow application,
first mascara application (upper and lower lashes), second mascara
application (upper and lower lashes), lip line, lip color, lip shading,
lip highlighting, gloss application, corrective lip lining and adjustment.
II. Old Age Make-up
Theory of old age Make-up
for motion picture, television, and theatrical (stage)
• Base or no base
• Shading and Highlighting
• Wrinkle application (paint)
• Hair graying
• Age marks (Veins, Broken capillaries, Hand Make-up, and
Liver spots)
• Rubber stretch and stipple, utilizing deammoniated liquid
rubber
• Removal of old age stretch and stipple and paint and powder
• Chronological age vs. environmental, health, hereditary, and
psychological influences
III. Bald Cap
• Cap selection and manufacturing
• Client preparation before cap Application (lecture
• Application of cap
• Make-up base and stipple for cap
• Proper removal of cap
• Patching and repair technique
• Shaved Head effect technique
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IV. Hairwork (Beard, Facial
Hair)
• Preparation of wool and real hair
• Application of beards and chopped hair
• Removal of adhesive shine
• Creating a natural hairline for beards & mustaches with overlay
V. Character Make-up (Injury Simulation)
Injury
Simulation to include: 1st, 2nd, and 3rd degree burns, cuts, scratches,
bruises, black eyes, broken noses, cauliflower ears, sunburned forehead
and lips, raised scars, warts, pimples, stipple beard, tooth gold
and silver blocking, discolored and rotten teeth, rabid effect,
tattoos, bullet holes, compound fractures, blood tubing and rigging
effects, and menthol blower technique (tearing effect) Clown and
Mime Make-up and Chinese opera Make-up designs
• Clown and Mime Make-up and Chinese opera Make-up
designs
• 1920s and 1930s period beauty Make-up and Classic Beauty
Make-up (1900s)
• Lectures and discussions concerning elves, gnomes, fairies,
sprites, witches, and other fantasy characters.
VI. Make-up Production (Career
Development)
Topics
to include: resumes, business cards, portfolios, set etiquette, coordination
of make- up with other departments, how and where to look for work,
tracking productions, contract negotiations, and deal memos.
VII. Monster Make-up
• Frankenstein's monster as done originally
by Jack Pierce in 1931.
• Dracula in the style of the Bela Lugosi character.
• Werewolf in the style of the Lon Chaney, Jr. version.
• Mummy in the style of the Boris Karloff version by Jack Pierce
• Original monster creations by JOE BLASCO
• Proper removal of monster Make-up
VIII. Prosthetic Make-up
• Taking the facial impression
• Making the positive cast
• Sculpting techniques Making the negative mold
• Preparing the closed mold for foaming
• Foaming techniques
• Pouring techniques and curing
• Application of rubber appliance
IX. Final Review and Examination
• Discussion of topics covered on the final examination
• Questions and answers concerning the final examination
• Practice for the final examination
• Administering the final examination covering the primary
aspects of the Professional Make-up Artistry Program |
