JOE BLASCO Make-up Schools
LEADING THE FINE ART OF MAKE-UP INTO THE NEXT MILLENNIUM™
JOE BLASCO Spotlight on Successpage 2 of 3
Sheryl Leigh Ptak
Sheryl Leigh Ptak graduated at the top of her class from the Joe Blasco Make-up Artist Training Center. The very next week, she landed a job on the TV sitcom, FISH . Since then, Ms. Ptak has been steadily rising to the top of her profession. For over 17 years, she has “painted the faces” of Laura Dern, Rebecca DeMorney, Susan Sarandon, Mick Jagger, Robin Williams, Jonathan Winters and dozens of other stars. Throughout the 80’s, Sheryl designed and applied special Make-up for all of Shelly Duvall’s cable series, FAERIE
TALE THEATRE. TALL TALES AND LEGENDS
and NIGHTMARE CLASSICS. In 1989, she won the coveted Ace Award for satirist Harry Shearer’s special. THE MAGIC OF LIVE, on HBO. She has been Harry’s Make-up artist for ten years. She has also been nominated for a Louise Duart special on Showtime. Sheryl was Head of Make-up for the second season of ROSEANNE. Next, she accepted the challenging position of Head of Make-up on IN LIVING COLOR, where she is now in her third season. Sheryl just completed the upcoming TV Comedy Pilot, THE EDGE, starring Julie Brown.
Q. I understand you were a model, an actress and a working mother before you developed a career interest in Make-up ?
A. Yes. In the sixties in Ohio, where I grew up, people weren’t getting their Make-up done anywhere. It never occurred to me as a career option. Even when my family moved to San Francisco and I became a model at the age of fifteen. I always did my own Make-up . I had a natural ability for it. After attending San Mateo Junior College, I continued modeling and acting and also worked as a rep for a line of cosmetics. I found the line moved a lot faster when I did the Make-up on people at the stores. I never felt the drive and mental stimulation as an actress and model, but I was passionate about Make-up artistry. I love to design on a living canvas. I needed to learn more, so I worked in a beauty salon. Also, I did the Make-up for a photographer friend. He encouraged me to train at the Joe Blasco School. I borrowed the money from close friends. I worked days to pay them back and studied with Joe at night.
Q. What was it like studying with Mr. Blasco?
A. It was a real privilege to study with the Master. I felt so positive, so excited, so alive at his school. It touched my heart. He cared so much about the work and drew upon real working experience. He had a wonderful sense of humor, too. We hit it off right away. Yet, I took my studies very seriously. I shelved everything I had previously learned. I was a willing sponge. I was determined to go for it 100%. Joe gave quality lectures and I took endless notes. The best part was the hands-on experience. We had plenty of practice time and he’d check our work. He gave us such a wonderful, substantial education in all phases of beauty Make-up for photography, film and tape. Real strong beauty Make-up helps all other forms of Make-up . Then we went into extensive character Make-up and hair work. A new, exciting world opened up to me. It was amazing. He taught us how to break down a script and come to a meeting of the minds with the director and actors. We finished with prosthetics work.
My final project was a beautiful woman with a half lion face. I used it for my first business card. Of course, school was just the tip of the iceberg. You never stop learning in this business.
Q. How well did the Joe Blasco School prepare you for a professional career?
A. Excellent preparation for getting into the studios. He goes way beyond the basics. I couldn’t have made it without him. In fact, Joe hired me to work on my first special for Shields and Yarnell. It snowballed from there. My training was excellent preparation for the 26 episodes of “Faerie Tale Theatre,” working with fabulous directors and actors. Each episode was based on a different time period and illustrator, like Rackham, or Parrish. I designed the Make-up to look like the illustrations while keeping the celebrity actors recognizable. We did face casts, some prosthetics. For example, a cat muzzle with a lot of fancy paint Make-up and hair work. It was really exciting.
TEACHING THE WORLD THE FINE ART OF MAKE-UP™