Masters I Makeup Artistry
Masters I Makeup Artistry
Beauty Makeup Artistry, Professional Makeup Artistry, Prosthetics Training
HD Professional Masters I Key Make-Up Artistry Materials Procedures Training
(M-F 8:00 a.m. to 5:00 p.m. – 16 weeks)
640 Clock Hours
This 16-week Professional Masters I Key Make-up Artistry Materials Procedures Training session is designed to help the trainee master the skills of make-up materials application procedures necessary to be employed in film and television, still photography studio, theater, or other related fields where an individual trained in all phases of make-up artistry is typically employed. The session is offered by means of lectures and hands-on labs. Session rooms and labs are designed to duplicate the actual environment of major film and television studio make-up departments.
The following outline describes the Professional Masters I Key Make-Up Artistry Materials Procedures Training session and its components. Beauty, Old Age, Bald Cap, Hair work, Character, Monster and AdvancedProsthetics. All phases together constitute the Professional Masters I Key Make-Up Artistry Materials Procedures session.
There are no pre-requisites required for this session, which equips trainees to work in film and television in an entry-level capacity but trainees must be a graduate of the Professional Journeyman Make-up Artistry Materials Procedures Training Session portion of the Professional Masters I Key Make-up Artistry Materials Procedures before they continue on to the four-week Professional Lab-Persons Prosthetic Laboratory Procedures Training Procedures portion of the Professional Masters I Key make-up Artistry Materials Procedures training session.
Trainees of the H.D Professional Masters I key Make-up Artistry Material Procedures training (key pro-case kit ) may transition into the H.D Professional Masters II Department Head Make-up Artistry Materials Procedures (D.H pro-case kit)
I. Sanitization and Hygiene, Product knowledge, safety procedures and materials discussion
- Formulas for sanitizing; chemical solutions for brush cleaners; Joe Blasco ozokleen brush cleaner; Quaternary Ammonium Compounds and bleach solution
II. Anatomy of face and body
III. Base Selection and Application
IV. Shading and Highlighting
- Moist or oil-base cheek color and color glow application
- Powder application
- Dry cheek color application
- Iridescent powder application
V. Eye Make-up
- Selection and placement of eye color and upper lid line shading
- Upper lid liner or shading accentuation
- Actual upper lid highlight application and under-arch highlight
- Lower lid liner “drop shadow”
- Eyebrow shaping and sketching techniques
- First mascara application(upper and lower lashes)
- Strip and individual false eyelash application
- Second mascara application (upper and lower lashes)
VI. Lip Color
- Lip line
- Lip Color
- Lip Shading
- Corrective lining and adjustment
VII. Beauty Make-up Genres
- High Fashion
- Couture ( runway dramatic)
- Political Platform (female/male)
- Theatrical live stage
- A test will be administered to verify each trainee has mastered the skills offered in the session.
IX. Old Age Make-Up
- Theory of old age make-up for motion picture, television and theatrical (stage)
- Chronological age vs. environmental health, heredity, and psychological influences
- Base or no base
- Shading and highlighting
- Wrinkle application utilizing paint and powder techniques
- Hair graying
- Age marks -veins, broken capillaries; hand make-up and. liver spots
- Stretch and stipple, utilizing liquid rubber/latex
- Removal of stretch and stipple and paint and powder
VI. Bald Cap
- Cap selection and manufacturing
- Client preparation before cap application
- Application and removal of cap
- Make-up base and stipple for cap
- Patching and repair techniques
- Shaved head effect techniques
VII. Hair work (Beard, Facial Hair)
- Preparation of wool hair
- Application of beards and chopped hair
- Removal of adhesive shine
- Creating a natural hairline for beards and mustaches with overlay
- Floating off of complete pieces
VIII. Character Make-Up and Injury Simulation
- Injury simulation includes: 1st, 2nd and 3rd degree burns; cuts; scratches; scars; bruises; black eyes; broken noses; cauliflower ears; warts; pimples; discolored and rotten teeth; rabid effect; bullet holes; compound fractures
- Tattoo application
- Clown and Mime make-up
- Chinese Kabuki design
IX. On set Hairstyling Materials Procedures training
- Discussion of materials and their usage by the make-up artist
- Modern fast onset up do’s for make-up artist who also is in charge of hair styling
- Power point discussion of period hairstyles
- 1920’s- 1940’s hairstyling demonstration
- Hairstyling protocol onset and on location
X. Prosthetic Monster Application
- Prosthetic Monster Application
- Demonstration on the application and coloration of a prosthetic appliance.
- Hands on prosthetic application
- Prosthetic make-up character (a boxer, an unfortunate homeless person, human type monsters.
XI. Prosthetic Make-up
- Small life casting of nose
- Sculpting a prosthetic nose on the casting
- Flash and mold the sculpture
- Cast gelatin into the finished molds, practicing application with extra pieces
- Custom trainee made prosthetic
XII. Phase 1 materials career/business Procedures /accounting processes/on-set and on-location materials usage/etiquette/ on-set professional demeanor
- Accounting processes vital to materials usage.
- On location and onset training working with professional materials upon models
- Demonstrating materials usage to photographers to gain experience in the industry.
- Field trip to MUATV studios in Palm Springs ,Ca
- Filed Trip to Joe Blasco Cosmetics Warehouse center and store in Palm Springs ,Ca
- Filed trip to Cosmetics manufacturing research and development factory
- In field materials usage working with hair dressers, set designers , still photographers and lighting designers
- Physical portfolio and electronic portfolio assembly
XIII. Prosthetic Design
- Prosthetic design rendering and mechanical effects
- Psychological preparation of the subject for facial impression
XIV. Sculpturing Techniques
- Advanced sculpturing techniques on the positive cast
- Sculpturing on isolated piece casts
XV. Positive and Negative Molds
- Construction of a complete ¾ face impression
- Finishing and refining positive cast surface
- Duplicator casts from positive molds
- Negative molds of a sculpture
- Techniques of cleaning clay from negative and positive casts
XVI. Foaming Techniques
- Familiarization with foam latex compound
- Preparation of cast for foaming
- Introducing foam rubber into molds
- Mold and foam curing
- Techniques to strip appliance from a mold
XVII. Coloring Techniques
- Intrinsic color techniques
- Extrinsic color techniques
XVIII. Application of Prosthetic Appliances
- Preparation of client for application
- Application and removal of appliance
XIX. Bladder Effects
- Creation of bladder and tubing for swelling and blood effects
XX. Final Testing and session completion
- Administering examinations covering the primary aspects of Advanced Prosthetic Make-Up Artistry Course.
- Session Completion
H.D Professional Masters1 Key Make-up Artistry Materials Procedures Training Normally required hours:
|Beauty Make-up Artistry||120 Clock Hours|
|Old Age||40 Clock Hours|
|Hair Work||40 Clock Hours|
|Bald Cap||40 Clock Hours|
|Character /Injury Simulation||56 Clock Hours|
|Onset Hairstyling materials Procedures||8 Clock Hours|
|Prosthetic Monster Application||40 Clock Hours|
|Prosthetics||80 Clock Hours|
|Final testing and session completion||16 Clock Hours|
|Portfolio Development||40 Clock Hours|
|Advanced Prosthetics||160 Clock Hours|
H.D Professional Masters I key Make-up Artistry Materials Procedures Training session description:
1 Beauty Make-up (120 Clock Hours)
This session introduces the trainee to the basics of Beauty make-up for motion pictures, television, still photography, and the stage. Additional topics include principles of highlighting and shading; classic beauty make-up; classic glamour make-up; natural high fashion make-up, and fantasy beauty make-up.
2. Old Age Make-up (40 Clock Hours)
This session introduces the student to the theory, materials, and techniques employed in creating old age make-up for motion pictures, television, and the stage.
3. Bald Cap (40 Clock Hours)
This session introduces the design, construction, and application of caps for make-up effect. Additional topics include cap painting; proper cap removal; patching and repair techniques; and the shaved head effect.
4. Hair work (Beard, Facial Hair) (40 Clock Hours)
This session covers the theory and techniques of utilizing crepe wool and real hair to create beards and mustaches including the creation of a natural hairline through overlay. The session includes the combing and fashioning of hair and the creation of the stubble effect.
5. Character Make-up (Injury Simulation) (56 Clock Hours)
This session introduces the techniques for simulating various types of injuries through the use of make-up and other materials. Topics may also include make-up for characters such as mimes and clowns plus historical characters.
6. On set Hairstyling Materials Procedures training (8 Clock Hours)
This session discusses materials and their usage by makeup artists. , modern fast up-do’s for make-up artists who are also in charge of hairstyling. Trainees will also have a power point discussion of period hairstyles and will have a demonstration on 1920’s through 1940’s hairstyles.
7. Prosthetic Monster Application (40 Clock Hours)
This session introduces the trainee to the application and coloration of prosthetic pieces and creating a prosthetic make-up character such as a boxer, an unfortunate homeless person, or a human type monster.
8. Prosthetic Make-up (80 Clock Hours)
This session introduces the trainee to the theory and techniques for the production and application of prosthetic appliances. Topics include taking the impression; positive and negative molds; sculpturing techniques; and the coloring and application of rubber appliances.
9. Phase 1 materials career/business Procedures /accounting processes/on-set and on-location materials usage/etiquette/ on-set professional demeanor (40 Clock Hours)
This session introduces the trainee to accounting processes vital to material usage, on location and onset training working with professional materials upon models, demonstrating materials usage to photographer to gain experience in the industry. Trainees will also take field trips to the MUATV studios and Joe Blasco Cosmetics Warehouse center and store in Palm Springs, Ca as well as a field trip to a cosmetic manufacturing research and development factory.
10. Advanced Prosthetic Make-up(160 Clock Hours)
This session encompasses the following areas of advanced prosthetics for film, television, and effects laboratory work: Prosthetic Design Rendering; Advanced Sculpturing Techniques; Construction of Positive and Negative Molds; Foaming Techniques; Intrinsic and Extrinsic Coloring Techniques; and Application of Prosthetic Pieces.
Trainees will be graded based upon their individual weekly projects. Grades will also be issued for homework. A comprehensive final exam will be given in order to determine the extent a student has retained the information throughout the session.
Text Books: “The Professional Makeup Artist” Vol. 1, 2, and 3 by Joe Blasco and Vincent J-R Kehoe
Joe Blasco Advanced Prosthetics Safety Manual