Professional Makeup Artistry – Film and Television 2017-06-21T16:22:29+00:00

Professional Makeup Artistry

Professional Makeup Artistry – Film and Television

HD Professional Journeyman Make-Up Artistry Materials Procedures Training

(M-F 8:00 a.m. to 5:00 p.m. – 12 weeks)
480 Clock Hours

The twelve-week H.D Professional Journeyman Make-up Artistry Materials Procedures Training  session is designed to help the trainee master the skills of make-up materials application procedures necessary to be employed in film and television, still photography studio, theater, or other related fields where an individual trained in all phases of make-up artistry is typically employed.  The session is offered by means of lectures and hands-on labs. The session rooms and labs are designed to duplicate the actual environment of major film and television studio make-up departments.

The following outline describes the H.D Professional Journeyman Make-Up Artistry Materials Procedures Training Session and its components.

All phases together constitute the H.D Professional Journeyman Make-Up Artistry Materials Procedures Training Session (journeyman pro-case kit).  No prerequisites required. This session equips trainees to work in film and television in an entry level capacity.

I. Product knowledge, safety procedures and materials discussion

II. Sanitization and Hygiene

  • Formulas for sanitizing ; chemical solutions for brush cleaners; Joe Blasco ozokleen brush cleaner; Quaternary Ammonium Compounds and bleach solution

III. Anatomy of face and body

IV. Beauty Make-Up

  • Documentary
  • Clean
  • Glamour
  • Period
  • High Fashion
  • Fantasy
  • Bridal
  • Red Carpet
  • Avant-garde
  • Editorial
  • Couture (runway dramatic)
  • Political Platform (female/male)
  • Transgender
  • Theatrical Live Stage
  • Mortuary
  • Medical
  • Beauty make-up for motion picture, television, still photography and theatrical (stage)
  • Beauty make-up for salon application (not for state license)
  • Classic Beauty make-up (clean beauty)
  • Classic Glamour make-up
  • Natural High Fashion make-up and Fantasy Beauty make-up
  • Beauty make-up is broken down as follows:
  • Base Selection and application
  • Shading application
  • Highlight application
  • Moist or oil-base cheek and color glow application
  • Powder application
  • Dry cheek color application
  • Powder Mute
  • Iridescent Powder Punch
  • Eye color or upper laid line shading application
  • Upper lid liner or shading accentuation
  • Actual upper lid highlight application and under-arch highlight application
  • Lower lid line application
  • Eyebrow application
  • First mascara application (upper and lower lashes)
  • Strip individual false eyelash application.
  • Second mascara application (upper and lower lashes)
  • Lip line
  • Lip color
  • Lip shading
  • Lip highlighting
  • Gloss application
  • Corrective lip lining and adjustment

 

V. Old Age Make-Up

  • Theory of old age make-up for motion picture, television and theatrical (stage).
  • Base or no base,
  • Shading and highlighting
  • Wrinkle application utilizing paint and powder techniques
  • Hair graying
  • Age marks- veins, broken capillaries; hand make-up and. liver spots
  • Stretch and stipple, utilizing liquid rubber/latex
  • Removal of  stretch and stipple and paint and powder
  • Chronological age vs. environmental health, hereditary and psychological influences

 

VI. Bald Cap

  • Cap selection and manufacturing,
  • Client preparation before cap application
  • Application and removal of cap.
  • Make-up base and stipple for cap
  • Proper removal of cap
  • Patching and repair technique
  • Shaved head effect

 

VII. Hair work (Beard, Facial Hair)

  • Preparation of wool and real hair
  • Application of beards and chopped hair
  • Removal of adhesive shine
  • Creating a natural hairline for beards and mustaches with overlay
  • Floating off of complete pieces

 

VIII. Character Make-Up and Injury Simulation

  • Injury simulation includes: 1st, 2nd and 3rd degree burns; cuts; scratches; bruises; black eyes; broken noses; cauliflower ears; raised scars; warts; pimples; discolored and rotten teeth; rabid effect; bullet holes; compound fractures
  • Tattoo application
  • Clown and Mime make-up
  • Chinese Kabuki designs

 

IX. On set Hairstyling Materials Procedures training

  • Discussion of materials and their usage by the make-up artist
  • Modern fast onset up do’s  for make-up artist who also is in charge of hair styling
  • Power point discussion of period hairstyles
  • 1920’s- 1940’s hairstyling demonstration
  • Hairstyling protocol onset and on location

 

X. Prosthetic Monster Application

  • Demonstration on the application and coloration of a prosthetic appliance and out of kit buildup construction.
  • Hands on prosthetic application
  • Prosthetic make-up character (a boxer, an unfortunate homeless person, human type monsters.

 

XI. Introduction to Prosthetic Creation (Gelatin Prosthetic Process)

  • Small life casting of nose
  • Sculpting a prosthetic nose on the casting
  • Flash and mold the sculpture
  • Cast gelatin into the finished molds, practicing application with extra pieces
  • Custom trainee made prosthetic

 

XII. Phase 1 materials Career / business Procedures / accounting processes / on-set and on-location materials usage / etiquette / on-set professional demeanor

  • Accounting processes vital to materials usage.
  • On location and onset training working with professional materials upon models
  • Demonstrating materials usage to photographers to gain experience in the industry.
  • Field trip to MUATV studios in Palm Springs, Ca
  • Filed Trip to Joe Blasco Cosmetics Warehouse center and store in Palm Springs, Ca
  • Filed trip to Cosmetics manufacturing research and development factory
  • Resumes, business cards, portfolios, set etiquette, coordination of make-up with other departments, how and where to look for work, tracking productions, contract negotiations and deal memos.

 

XIII. Final Testing and Session Completion

H.D Professional Journeyman Make-Up Artistry Materials Procedures Training Normally Required Hours:

Beauty Make-up Artistry 120 Clock Hours
Old Age 40 Clock Hours
Hair Work 40 Clock Hours
Bald Cap 40 Clock Hours
Character /Injury Simulation 56 Clock Hours
Onset hairstyling Materials Procedures 8 Clock Hours
Prosthetic Monster Application 40 Clock Hours
Prosthetics 80 Clock Hours
Portfolio Development 40 Clock Hours
Final 16 Clock Hours

H.D Professional Journeyman Make-up Artistry Materials Procedures Training session description:

1. Beauty Make-up (120 Clock Hours)
This session introduces the trainee to the basics of Beauty make-up for motion pictures, television, still photography, and the stage. Additional topics include principles of highlighting and shading; classic beauty make-up; classic glamour make-up; natural high fashion make-up, and fantasy beauty make-up.

2. Old Age Make-up (40 Clock Hours)
This session introduces the trainee to the theory, materials, and techniques employed in creating old age make-up for motion pictures, television, and the stage.

3. Bald Cap (40 Clock Hours)
This session introduces the design, construction, and application of caps for make-up effect. Additional topics include cap painting; proper cap removal; patching and repair techniques; and the shaved head effect.

4. Hair work (Beard, Facial Hair) (40 Clock Hours)
This session covers the theory and techniques of utilizing crepe wool and real hair to create beards and mustaches including the creation of a natural hairline through overlay. The session includes the combing and fashioning of hair and the creation of the stubble effect

5. Character Make-up (Injury Simulation) (56 Clock Hours)
This session introduces the techniques for simulating various types of injuries through the use of make-up and other materials. Topics may also include make-up for characters such as mimes and clowns plus historical characters.

6. Onset Hairstyling (8 Clock Hours)
This session discusses materials and their usage by makeup artists. , modern fast up-do’s for make-up artists who are also in charge of hairstyling. Trainees will also have a power point discussion of period hairstyles and will have a demonstration on 1920’s through 1940’s hairstyles.

7. Prosthetic Monster Application (40 Clock Hours)
This session introduces the trainee to the application and coloration of prosthetic pieces and creating a prosthetic make-up character such as a boxer, an unfortunate homeless person, or a human type monster.

8. Prosthetic Make-up (80 Clock Hours)
This session introduces the trainee to the theory and techniques for the production and application of prosthetic appliances. Topics include taking the impression; positive and negative molds; sculpturing techniques; and the coloring and application of rubber appliances.

9. Phase 1 materials career/business Procedures /accounting processes/on-set and on-location materials usage/etiquette/ on-set professional demeanor (40 clock hours)
This session introduces the trainee to accounting processes vital to material usage, on location and onset training working with professional materials upon models, demonstrating materials usage to photographer to gain experience in the industry. Trainees will also take field trips to the MUATV studios and Joe Blasco Cosmetics Warehouse center and store in Palm Springs, Ca as well as a field trip to a cosmetic manufacturing research and development factory.

10  Final testing and session completion (16 Clock Hours)
Administering a final examination to cover all aspects of H.D Professional Journeyman Make-up Artistry Materials Procedures Training.

Trainees will be graded based upon their individual weekly projects. Grades will also be issued for homework. A comprehensive final exam will be given in order to determine the extent a trainee has retained the information throughout the course.

Text Book: “The Professional Makeup Artist” Vol.1 and 2 by Joe Blasco and Vincent J-R Kehoe